My practice is centred around configuring spatial situations. I ‘make a scene’ between an ensemble of things {architectural forms, diagrammatic drawings, found objects} and references {music, poetry, literature, film} to be reflected on.
Stepping back, to view multiple scenes that unfold and build over time, I reconfigure them to form a constellation of scenarios. Navigating the connections and overlaps between boundaries that exceed their containing structures {frameworks, timeframes}, what emerges are complex time zones.
I describe my approach as ‘psycho-techno-archaeological’, which is a mashup of technical methods and processes {active listening, pseudocode, fieldwork, visual cues}. I use this approach to rupture and play with multiple perspectives and voices which traverse time, anywhere between a Pompeian past and a Techno future.
Working with matters which can range from the personal to the existential {broken hearts, financial instability, our place within the cosmos, the prospect of a multiverse}, what emerges is often simultaneously both a celebration and a shattering of the tenuous relationships between things.