It’s a question of critical mass; no single observation in itself could prove it, but the amassing of thousands, millions of observations that link together to form a set of conjectures that are verified and falsified and form a theory is something that begins to look robust, dependable.
Harvey, S. The Shapeless Unease: My Year in Search of Sleep. 2020. p185
Materials: reclaimed mirrors, metal armature, intermittent sound from tumble dried cut crystal vases
What if sculpture and installation pre-supposes an answer. If there is no answer and we go from there, sculpture and installation does not have to be an object, environment, form, space, or time until it is perceived through the lenses of space and time.
Sculpture and installation, like film, is myth making, but can contain truths hidden amongst reality.
Downgrading an electric clothes dryer into a hand-cranked kaleidoscope, in which, I record the sound of crystal ware breaking down, this installation is centred around the physicality of breaking down ideas, to consider how connections are made and unmade over time.
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